Might Mo Rodgers
Mighty Mo Rodgers
Maurice Rodgers, "Mighty Mo", was born in 1942 in Chicago, Indiana but actually studied classical piano as a lad. Of course growing up in the 60s meant you had to be affected by the brilliant soul music coming out of Memphis and soon Mighty Mo started his own soul band the Rocketeers while in high school but by college started the Maurice Rodgers Combo. He quit college and headed to Los Angeles and started performing, recording as a session player where he gigged with T-Bone Walker, Albert Collins, Bobby "Blue" Bland, Jimmy Reed, and many others. He played Farfasa organ on Brenton Wood's 1967 hit "Gimme Little Sign". He also served as a producer, most notably on Sonny Terry and Brownie McGee's classic 1973 A & M record "Sonny And Brownie".He selected the material, which featured three of his own compositions, rounded up John Mayall, Arlo Guthrie, John Hammond, Michael Franks, Sugarcane Harris and others as backing musicians. He gave up music for awhile heading to Cal State Northridge where he earned a degree in philosophy while simultaneously working as a staff songwriter for Chappell Publishing and Motown. He’s completing a Masters degree in Humanities with an astonishing thesis, "Blues as Metaphysical Music (Its Musicality and Ontological Underpinnings)", and this can be felt on his first album released under his own name in 1999, "Blues Is My Wailin' Wall" on Blue Thumb.
"Blues Is My Wailin' Wall" (Blue Thumb 1999)
1. Blues Is My Wailin'
"Red, White And Blues" (Verve 2003)
White & Blues
"Black Paris Blues" (Isabel 2004)
1. Black Paris Blues
"Redneck Blues" (Dixiefrog 2007)
Welcome to Doo Dah
***** Willie Dixon may have claimed it first but these days Mighty Mo Rodgers is the Blues. Perhaps nobody digs as deep into the art form to elucidate what it means for Black Americans and all humanity in general. Back in 1999 Mo Rodgers made one of the most outstanding Blues albums since the pre-Disco years. That LP, "Blues Is My Wailin' Wall", was in many ways a soundtrack to an unmade documentary called "The History Of The Blues" . Rodgers digs even deeper here, immersing himself in the South to the point he finds that "rednecks", aka, "poor whites" and "children of the slaves" share the same reason to sing the Blues. Sound too ponderous and heavy-handed? Perhaps it would be in less talented hands but Rodgers has wrapped his message within tightly packed arrangements full of that "holy howl" and sledgehammer Rhythm & Blues. Forget KRS-One this is truly "edutainment".
Of the many highlights is the reggae-fied "John Brown Blues". In the liner notes Rodgers refers to the controversial anti-slavery legend as "a champion of the abolitionist cause, and maybe the first Bluesman in history". While there's no evidence Brown was a musician the "Blues" mean something more than just music to Mo. It serves to "deny the lie of the nothingness of our (African American)existence". He goes to define Blues in "Blues Ain't Devil Music", a strident shuffle where he sums it up in one stanza: "Now you didn't ask me/But I'm gonna say/Blues was born from slavery/But some folks went lookin'/To feel good and alive/Like being Black on a Saturday night/So we gonna have some fun". It's to Mo's credit that he doesn't sacrifice song structure for seriousness. The disc is as tuneful as any "party Blues" album. That muscular, rhythmic Soul Blues sound- almost hypnotically tribal- graces "Death Of The Middle Class" and "Gangs Guns And Testosterone". The latter Rodgers calls the "Unholy Trinity of any nation trying to hide it's impotence behind it's passion for firearms". Hurricane Katrina gets two references, once in the Delta Blues "No Second Line (This Time)" and the Soulful "There But For The Grace Of God". This is what "contemporary" Blues is suppose to be about. "Redneck Blues" is uncompromising, defiant, and Southern American to the core. Mo helps each and every one of us be 'afrocentric" if only for an hour. One could never "get" the Blues without such an experience. A triumph.
"Dispatches From The Moon" (Dixiefrog 2010)
That's One Small Step For Man...
"Cadillac Jack" (Dixiefrog 2012)
Cadillac Jack Says "Bring The Fishtail Back"
"Mud N' Blood" (Dixiefrog 2014)
***** The album opens with this salvo: "To understand the world you must first understand a place like Mississippi and William Faulner said: 'To understand Mississippi you must understand the Blues'". Well I'm not going to give too many details 'cuz you need to experience this "tale" for yourself. The first song, "Haunted By The Blues" and there's nothing you can do ride "them Blues all through". (review under constriction*)
Mighty Mo Rodgers & Baba Sissoko "Griot Blues" (One Root Blues 2017)
1 Shake 'Em up
"The Virus" (Drinking Gourd 2018)
1 The Virus (feat. The