Mem Shannon
Mem
Shannon is one of the most eclectic bluesmen you'll find. A
brilliant songwriter and guitarist who incorporates New Orleans
Funk, Jazz, Rock, Soul and whatever else he feels like into the
Blues. The former cab driver quickly became a critic's darling when
he dropped his debut LP, "Cab Driver's Blues", which showed
his keen perspective on life through the eyes of a cabbie.
Because of the interesting nature of the recording, which includes
snippets of conversation with passengers from his cab interspersed
with the music, Shannon's story attracted the attention of producers
at PBS-TV, CBS-TV's Sunday Morning, and editors at the New York
Times.
By April of 1996, at the annual New Orleans Jazz and Heritage
Festival, Shannon announced from the stage that he was giving up his
job as a cab driver to play blues full-time. He didn't looked back,
and thanks to good booking agents and his own work ethic, he toured
extensively around the U.S., Europe, and Canada. Shannon was the
first major new talent to come out of New Orleans in some time, and
since thousands of foreigners visit New Orleans every spring for
JazzFest, Shannon forged his reputation as an international touring
musician easily. His music isn't stuck in a jump-shuffle mode. He
takes a broader view, incorporating elements of funk, jazz, swamp
rock, and classic rock into the Membership's blues-based sound. The
band funks it up with varying shuffle drum backbeats, throbbing
basslines, a wailing saxophone, and feathery keyboard treatments.
And there is room in Shannon's view of himself as a bluesman for
political and social commentary in songs like "Wrong People in
Charge," "Charity," and "Down Broke."
In addition to his two Ryko CDs, Shannon released "Spend Some Time
With Me" in 1999, "Memphis In The Morning" in 2001, both on the Shanachie label,
before siging on with Northern Blues .
Album Discography
"Cab Driver's Blues" (Hannibal 1995)
1. 5th Ward
Horseman
2. Play the Guitar Son
3. $17.00 Brunette
4. You Ain't Nothin' Nice
5. My Baby's Been Watching TV
6. Me and My Bed
7. Ode to Benny Hill
8. Taxicab Driver
9. Miserable Bastard, The
10. One Hot Night
11. Dick Tie Commandos
12. Boogie Man, The
13. Maxine
14. Older Broad, The
15. Got to Go
16. Chantelle
17. If This Ain't the Blues
18. Food Drink and Music
"2nd Blues Album" (Hannibal 1997)
1. Wrong People in Charge
2. Old Men
3. Charity
4. Say That Then (The Parlez-Vous Francais Song)
5. One Thin Dime
6. Mirror Mirror
7. My Humble Opinion
8. Down Broke
9. Do You 'Yuh' What I Say
10. Mr. Blues
11. Blues Is Back, The
"Spend Some Time With Me" (Shanachie 1999)
1. Who Are They
2. Paying My Dues
3. Not My Friend
4. Don't Talk About My Mama
5. Last Time I Was Here, The
6. Pray for the Children
7. Dirty Dishes
8. Certain Shade of Blue, A
9. Spend Some Time with Me
10. Mother's Love
11. Born in This Time
12. No Such Thing
"Memphis In The Morning" (Shanachie 2001)
1. Drowning on My Feet
2. Why I Sing the Blues
3. Memphis in the Morning
4. S.U.V.
5. Invisible Man
6. Tired Arms
7. I Smell Something
8. You Belong to Him
9. I Love the Way You Love
10. Unconditional Love
11. Shake Up the Floor
12. Doing the Best That I Can
"I'm From Phunkville" (Northern Blues 2005)
1. Reason, The
2. Swing Tiger Swing
3. Perfect World
4. Phunkville
5. I'll Kiss a Pitbull
6. Battle Ground
7. Lights of Caracas, The (I Didn't Know)
8. Sweet Potato
9. No Religion
10. Forget About Me
11. Eleanor Rigby
12. Ignant Stick
13. We Going
"Live At Tipitina's" (Northern Blues 2007)
1. Payin' My Dues
2. Smell Something
3. No Religion
4. Who Are They
5. All I Have
6. I Won't Back Down
7. No Such Thing
8. Forget About Me
9. Voodoo
10. Phunkville
***1/2 It's
been a dozen years since Shannon's dazzling debut "Cab Driver's
Blues", a witty, idiosyncratic mini-masterpiece that drew
inspiration from his actual stint as a cab driver. A critic's
darling since then, Shannon has continued to deliver
exceptionally well-written Blues/R&B/New Orleans Funk/Pop
confections like "Wrong People In Charge", "Who Are They", the
hilarious "SUV" and the like. He's moved closer to R & B (as in
real Rhythm & Blues) than his Contemporary Blues debut. Shannon
was never a 12-bar Blues simpleton but a literate and musically
eclectic singer who used Blues as a base. There's enough Blues
on this live set, but the Funk is indomitable.
The set opens with one of his biggest "hits", "Paying My Dues",
which the big man has for sure. Lots of prime guitar noodling
here, perhaps better than anything heard on his studio records.
This is no surprise as I saw Shannon live in San Diego a couple
years ago and wished I had a record of that night! A nose
curling bassline and tart horn blasts push "Smell Something"
beyond it's studio counterpart (from "Memphis In The Morning").
"No Religion" is another stunner with a passionate vocal ("Ain't
got no religion/I'm getting scared to sleep at night...I'm way
past twenty-one but I need some help from Jesus, Allah, Jehovah,
somebody/Don't think I can make it much more on my own!") and
tightly-squeezed guitar licks. The guy can play as clean as
anybody. Further Shannon staples like "Who Are They" and the
recent "Phunkville" are here as well as a couple new additions
to his canon. Most notably, the touching, soulful "All I Have",
a song about losing everything in Hurricane Katrina. A gorgeous
Sax solo by Tim Green sends this one right through the heart.
The only misstep on the 10-song 72-minute set is the odd and
tepid reading of Tom Petty's "I Won't Back Down". This is the
only time Mem Shannon & The Membership sound like a typical bard
band at your local dive. Oh how I wish they'd have done instead
their live version of "Eleanor Rigby" (that night in San Diego).
The other newbie is the epically arrangement version of the
Neville Brothers' "Voodoo". To date, Shannon's profile has been
at a career lull but this set should change all that.